
Samarkand plov
A layered plov in which nothing is stirred: the rice stays pale, and the carrots and meat are served on top of it.
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Samarkand bread and plov, silk carpets and paper, Navruz and the chaikhana — the living heritage of the city.
Culture

A layered plov in which nothing is stirred: the rice stays pale, and the carrots and meat are served on top of it.

A tandoor-baked round with a thin, stamped centre, a plump rim and a glossy crust — Samarkand’s signature taste and the classic gift to carry home.

Flaky pastries filled with lamb, onion and tail fat and baked on the wall of a tandoor — Samarkand’s favourite breakfast.

Lamb, liver and minced-meat skewers grilled over charcoal and served with raw onion, vinegar and hot bread — the smoke that drifts down every Samarkand street.

Large steamed dumplings from a tiered steamer, filled with hand-chopped lamb, onion and tail fat — or with sweet pumpkin.

A hearty soup of mutton, carrots, potatoes and herbs, either simply boiled or browned first, served in a deep bowl with bread.

A cold dish of hair-fine, hand-cut noodles tossed with shredded horsemeat and qazi sausage — the refined starter of weddings and big feasts.

A summer dish of meat and seasonal vegetables layered in a cauldron and braised slowly in their own juices, with almost no water.

Two slow dishes of the Navruz table: sumalak, simmered overnight from the juice of sprouted wheat, and halim, a porridge of wheat and meat.

Snow-white whipped nisholda, dark holvaytar, parvarda and novvot — the traditional sweets Samarkand serves with tea.

Green tea brewed in a pot and ‘returned’ to it three times — the opening of every conversation, deal and meal.

Grapes, melons, apricots and pomegranates from the sunny Zarafshan valley — fresh in summer, dried into raisins and apricots all year, and the brightest stalls in Samarkand’s bazaars.
Culture

Creamy paper made by hand from mulberry bark and burnished with stone — the writing material of Islam’s golden age, revived in the village of Konigil.

Hand-knotted carpets of naturally dyed silk — in Samarkand you can follow the whole journey from cocoon to finished rug in a single workshop.

Bold red and black rosettes on a white ground — the Samarkand suzani; alongside it, Urgut’s embroidered skullcaps and the work of today’s needlewomen.

From Afrasiyab bowls lettered in Kufic script to the glazed platters of Urgut’s potters, Samarkand ceramics span more than a thousand years.

From the patterned doors of Gur-e-Amir and Rukhobod to the pillars of neighbourhood houses, Samarkand’s carvers have cut geometry and arabesque into wood for centuries.

Snow-white patterns carved in ganch, a mix of gypsum and clay, and the gilded kundal of Tilya-Kori — the inner world of Samarkand’s monuments.

The carved glazed terracotta of Shah-i-Zinda, the mosaics of the Registan portals and the tiles of Gur-e-Amir’s dome — the craft behind Samarkand’s famous blue.

Lavish embroidery in gold thread and skullcaps whose patterns change from oasis to oasis — needle crafts still alive in Samarkand and Urgut.
Culture

21 March, the spring equinox — a New Year welcomed with cauldrons of sumalak, green samsa, street festivities and neighbourhood clean-ups.

The neighbourhood community gathered around its guzar square, which shares weddings and funerals and keeps its streets in shape through hashar — the backbone of Samarkand life.

‘A guest ranks above your father’: in a Samarkand home the guest takes the seat of honour, and bread, tea, sweets and hot dishes reach the dastarkhan in turn.

From matchmaking to the bride’s bow — an Uzbek wedding is a chain of rituals, and in Samarkand its story reaches back to the age of Timur.

Iftar evenings in the month of fasting, the sweet table of Eid al-Fitr and the sacrifice of Eid al-Adha — festivals whose dates move each year with the lunar calendar.

Every mahalla’s teahouse is the daily club of its men, while the gap is a long-standing custom of friends taking turns to host one another.

The subtle modes of Shashmaqom, Hoji Abdulaziz and his ‘Samarkand Ushshoq’, and the Sharq Taronalari festival — Samarkand’s musical memory.

Ikat silk dresses, adras, embroidered robes and skullcaps — the traditional costume that colours Samarkand’s streets at weddings, Eid and Navruz.

Shah-i-Zinda, Hazrat Khizr, Khoja Daniyar and Imam al-Bukhari — Samarkand has long been a city of shrines, and pilgrimage has its own etiquette and legends.
For example: Registan, Ulugh Beg, plov, Urgut