
Navruz
21 March, the spring equinox — a New Year welcomed with cauldrons of sumalak, green samsa, street festivities and neighbourhood clean-ups.
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Every mahalla’s teahouse is the daily club of its men, while the gap is a long-standing custom of friends taking turns to host one another.
Every mahalla in Uzbekistan has its own choyxona, or teahouse, usually standing beside the mosque and the mahalla office. It is far more than a place to drink tea: neighbourhood news is debated here, weddings and ceremonies are planned, and old men talk for hours. In a traditional teahouse guests sit on a soʻri — a raised wooden platform spread with quilted mattresses — around a low table.
The menu is short but good: green and black tea, plov, samsa, shurpa, manti, kabob and dimlama, with halva, parvarda, novvot and nisholda for something sweet. Traditional teahouses do not serve alcohol. Beyond the neighbourhood ones, large teahouses are found across town and along the main roads.

One of the most intriguing customs linked to the teahouse is the gap. A circle of friends, classmates or colleagues meets regularly — say once a month — with each member taking a turn as host, laying on a meal at a teahouse or at home, very often a plov. Women have their own gaps too. In some circles members chip in at every meeting and the pot goes to each in turn, combining friendship with mutual support.
For travellers, the teahouse is the easiest window onto local life. Drop into a neighbourhood choyxona at lunchtime and order the plov; between the conversations around you and the freshly brewed tea, you will soon feel part of the scene.
Traditions

21 March, the spring equinox — a New Year welcomed with cauldrons of sumalak, green samsa, street festivities and neighbourhood clean-ups.

The neighbourhood community gathered around its guzar square, which shares weddings and funerals and keeps its streets in shape through hashar — the backbone of Samarkand life.

‘A guest ranks above your father’: in a Samarkand home the guest takes the seat of honour, and bread, tea, sweets and hot dishes reach the dastarkhan in turn.

From matchmaking to the bride’s bow — an Uzbek wedding is a chain of rituals, and in Samarkand its story reaches back to the age of Timur.

Iftar evenings in the month of fasting, the sweet table of Eid al-Fitr and the sacrifice of Eid al-Adha — festivals whose dates move each year with the lunar calendar.

The subtle modes of Shashmaqom, Hoji Abdulaziz and his ‘Samarkand Ushshoq’, and the Sharq Taronalari festival — Samarkand’s musical memory.
For example: Registan, Ulugh Beg, plov, Urgut